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Is there a limit to the raunchy stuff that’s happening? He’s proven himself as a comedian over the years, starting with . We wanted to have the best people possible for the parts, and we got Jason Segel, we got Justin Timberlake, we got Phyllis Smith. He loves to push it and have fun and he goes straight to the edge first and then maybe backs off a little bit. He has a great laugh and you hear it during the take, which is encouraging. Lee and Gene did an amazing job at creating these characters, and there was really nothing — they would come to set and throw out some alternative lines, and that was it.
Exactly how far are we going with this dirty humor? The word raunchy, to me, is all relative, of course. What do you think of Justin Timberlake now maturing as an actor? Being able to have these amazing comedians and all of the other wonderful actors and comedians who colorfully occupy these characters around us is really, really fun. Projects change and shift as people get involved in the project. We all went, “There it is.” It’s rare you get a script that you go, “Let’s not touch this” or where you go, “Man, we better fix this.” There wasn’t anything in that script. Sometimes producers or people in power like to justify why they’re there and offer notes.
During the interview, Diaz talked about how gets released June 24. I knew that going in, that there’s not very many takes, we all had to come hit the ground running every day, we packed a lot in every day. We made it work because one, that’s the luxury of having a great script. Diaz: Playing Elizabeth was very liberating, only because you really don’t care. In the end of it all, I think that her lack of self-respect comes from she wasn’t given skills, she wasn’t given the skills to recognize what she has to offer and who she is and to value herself. Diaz: Exactly, and to empower themselves, because the way that she has empowered herself is probably not the best way, and she learns that. Even if I did it poorly, people would still be, “What’s going on?
In ‘Bad Teacher,’ you get to be doing the X-rated material and the poor behavior. I think this character is meant to represent good and bad of what is possible in a human being, and I think that’s something that I appreciated the fact that there’s certain things she doesn’t apologize for and there’s certain things she admits that she needs to do better on. Then as an audience member, not appreciating that it isn’t so over-the-top done in a Hollywood way where you’re like, “Ah, please. ” She has a human level of incremental growth that we all have. Diaz: I’ll tell you what’s really exhausting: shooting the action movie for 6 months and then going directly into shooting the human id running rampant. The fun thing is that she ends up understanding herself better knowing her truth and realizing what she has to offer. There’s a lot of times I would call her Lynn, and I’d be like, “Ah, Phyllis” because she was so Lynn. I felt really bad sometimes, because there’s such brilliance in her performance and I’m laughing, “Oh my god, Phyllis.” She’s so funny. What about working with America’s favorite Sasquatch Jason Segel? You mean the uber-charming, incredibly seductive, 6-foot-5 man meat they call The Segel? When you are going to Cinema Con and you’re going to stand in front of 3000 to 5000 theatre owners, how much do you think about what you’re going to say, or is it just improv?
Is that a weird reverse blow for feminism, that now you can behave badly and have that be the centerpiece of the film? It seems anything goes: there’s swearing, there’s all kinds of stuff going on. ” during the middle of the take, and we’d start laughing and go, “Okay, I’ll try to get it out without laughing.” That was about it. I appreciate that she chooses not to change how she delivers it. She’s hilarious on and I know a lot of them write down material. I feel like I remember she never did anything before . Diaz: I’m going to go with straight from the heart when I get there.
Having no previous acting experience, she started acting lessons after being cast.
The Mask became one of the top ten highest-grossing films of 1994 Diaz subsequently starred in the independent black comedy The Last Supper (1995), playing one of several liberal graduate students who invite a group of extremist conservatives to a dinner to murder them.